I design and build artist driven websites and interactive experiences that translate sound, identity, and culture into digital form. My work spans official artist sites, album and anniversary rollouts, experimental microsites, and custom web applications for artists like Korn, Slipknot, Nicki Minaj, Shania Twain, Megadeth, Denzel Curry, and Bob Marley.
I create social-first, digital-native content designed to cut through feeds, scale across platforms, and define the visual language of key moments. My work spans festival campaigns, artist rollouts, visualizers, motion systems, and short-form social, blending strong concepting with hands-on execution across video, motion, and design. I’m often brought in to own the full content lifecycle end to end, delivering work that’s intentional, culturally tuned, and built to perform where audiences actually engage.
To celebrate the opening of citizenM’s downtown Los Angeles hotel, Ride or Cry, the creative agency where I served as part-owner and part-creative director, set out to highlight some of LA’s unsung heroes. In collaboration with KesselsKramer and local photographer Corinne Schiavone, we photographed 52 creative, enterprising, and inspiring Angelenos using Polaroids, a format rooted in the city’s casting culture. These portraits became the centerpiece of a multi channel campaign, and physically displayed in every hotel window that extended across video, digital, and social platforms.
“citizens of” was a large scale window exhibition which started in citizenM’s Bowery Hotel, and continued in Zurich, Copenhagen and Seattle.
Apple News called it “a major artistic upgrade” and “a photo exhibit unlike any other.” It was also featured on Creative Review, It’s Nice That, and Adweek.
I acted as executive producer and director for a crew that produced a bold visual teaser announcing Usher’s multi-date Las Vegas residency. Blending playful luxury with viral mischief, the video introduced the now-infamous “Ush Bucks,” a fictional currency that ignited widespread buzz across social media and the press.
Tasked with capturing Usher’s multifaceted role as host and performer for the 2021 iHeartRadio Music Awards, I directed, produced, and shot this exclusive behind-the-scenes piece over the course of a full week. Filmed across rehearsals, dress runs, and live show moments, the piece offers an intimate, all-access look at Usher’s creative process as he prepared for both the awards and his upcoming Las Vegas residency.
My team partnered with BuzzFeed and Amazon Prime Video on an immersive launch for Hunters, transforming an entire block of Highland Park into 1977 New York City. The takeover featured a recreated grindhouse theater, a character-driven afterparty at a retro bowling alley, and 16 fully styled storefronts with actors and interactive moments tied to the show. I supported VIP hospitality, talent booking (including DJ Grandmaster Flash and A-Trak), multi-vendor production, print design, and on-site execution. The event drew major press and delivered a cinematic, era-specific experience for fans, influencers, and media.




I supported and helped develoop creative direction and animation production for a 10-part animated series celebrating 60 years of Motown. Collaborating with studios, including Sunshine Mall, my agency paired archival audio with bold, era-inspired animation, giving each episode a distinct visual style. I oversaw the project from concept through delivery, honoring Berry Gordy Jr.’s legacy and Motown’s cultural impact with clarity and originality.
My team worked with Universal Music to bring a beloved catalog of Motown holiday classics to life through animation for the very first time and kick off their ongoing Animated Classic Christmas Songs playlist. I helped produce multiple videos in the series, working closely with a group of independent animators and illustrators to craft warm, nostalgic visuals that honored the legacy of legendary artists like The Jackson 5, The Supremes, and The Temptations.
I conceptualized and led the visual and creative direction for Action Point‘s digital marketing campaign. The campaign spanned paid media across all major platforms, with channel specific creative optimized for performance at scale. We produced original content from the ground up and worked directly with the cast, creating exclusive assets including special in-theatre-only content that audiences could not see anywhere else. Across paid, motion, and custom content, the campaign delivered over 5 million impressions collectively and drove strong awareness leading into release.
My foundation in digital work began in graphic design, creating flyers and show art for Arizona based hardcore bands and DIY tours, where strong concepts, bold typography, and immediate visual impact mattered more than polish. That hands on experience continues to shape how I work today as an art director and creative consultant. In my everyday work, I continue to create flyers, album artwork, pitch decks, and brand guides, applying clear visual systems and thoughtful presentation across each project. Whether I am leading a project or collaborating with other teams, my approach is grounded in typography, texture, and composition, and guided by culture and audience to create work that feels authentic, distinctive, and built to resonate.














































